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THEOPHANIA The recomposition of the real

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Beyond the exhibition

THEOPHANIA continues

  • A large frescoed hall of Palazzo Trinci: frescoes on a blue ground, a tapestry on the wall and dark seating at the centre.
    Palazzo Trinci, one of the great frescoed halls.

Palazzo Trinci is the first public place of THEOPHANIA. From here the project continues its journey through new exhibition occasions, research, publishing, sound languages and relationships with cultural institutions, museums and international communities.

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THEOPHANIA is born with a vocation that extends beyond the time and space of the Foligno exhibition.

The relationship originating from the Chartula of Assisi and entrusted to Giorgio Lupattelli’s artistic research opens a cultural trajectory destined to develop through different forms of knowledge and sharing.

The exhibition itinerary at Palazzo Trinci is its first public manifestation. Around it, editorial, sound and educational activities take shape, together with the building of relationships with museums, universities, cultural institutions and research centres.

A source generates a work; the work generates new relationships; the relationships allow the project to continue its journey.

Further reading

Press Area

Press releases, critical texts, iconographic materials and official documentation of THEOPHANIA (Giorgio Lupattelli, curated by Gianluca Marziani) are gathered in this section for the press and communication professionals.

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The Press Area gathers the official materials relating to the exhibition and the cultural project THEOPHANIA: press release, exhibition sheet, critical text by Gianluca Marziani, materials dedicated to Giorgio Lupattelli, the Chartula of Assisi, Sacra Vestigia, Scrinium / Propositum Operis, images, credits and press contacts.

The photographic materials, the images of the works and the in-depth content are available through the Digital Press Kit provided in the press folder.

Audiovisual

Video, interviews and backstage

THEOPHANIA continues through images, voices and sounds. The Media section gathers the available audiovisual content and accompanies the evolution of the project over time.

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The digital environment is set up to host video, audio, interviews, backstage and content dedicated to the exhibition, the artist, the curatorship and the sources. In R0.1 only the materials already available and approved are published; the archive may grow progressively together with the project.

Sound contribution

A tribute to Gianandrea Gavazzeni

Alongside the exhibition dimension, THEOPHANIA includes a tribute to Maestro Gianandrea Gavazzeni on the thirtieth anniversary of his passing, developed with the contribution of Denia Gavazzeni Mazzola, of the Ab Harmoniae ETS Association and of Maestro Pieralberto Cattaneo.

Scuola Italiana

The editorial project

Conceived and directed by Gianluca Marziani within the cultural activities promoted by Scrinium, Scuola Italiana is born as a permanent space for reflection dedicated to the most significant expressions of Italian contemporary art.

The first issue will be presented on 4 October 2026 at Palazzo Merulana in Rome, on the occasion of the finissage of the exhibition dedicated to Nicola Pucci, and will feature a special dedicated to Giorgio Lupattelli in the Ad Memoriam section. Dialoghi virtuosi tra antico e futuro.

Media

Footage, interviews and sound contributions from the project: what of THEOPHANIA can be watched and listened to.

The archive is in preparation.

Press area

The official materials of the exhibition, freely downloadable by those who need them.