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THEOPHANIA The recomposition of the real

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Panel and study · 28 of 28

Assenza di dramma

Assenza di dramma, mixed media: charcoal, pencil, ink, watercolour on laid paper with untrimmed edges, by Giorgio Lupattelli
Giorgio Lupattelli, Assenza di dramma. Mixed media: charcoal, pencil, ink, watercolour on laid paper with untrimmed edges, cm. 50 x 70 (approx.), 2026.
Credits: Giorgio Lupattelli / Scrinium.

The final panel brings Francis back to the centre of the composition. His face appears serene, aware, reconciled. In the background a work by Alberto Burri recalls the poverty of matter, while the traditional iconography of the wolf gives way to a dog, a familiar and personal presence in the artist’s life. The journey thus ends with a return to the essential, where peace is born of a transformed gaze.

Giorgio Lupattelli

Assenza di dramma

2026, Mixed media: charcoal, pencil, ink, watercolour on laid paper with untrimmed edges, cm. 50 x 70 (approx.)

Room
Sala degli Artisti
Sequence in the exhibition
28 of 28
Inventory
OP-012
Credits
Giorgio Lupattelli / Scrinium
Rights
Rights of use, exhibition and reproduction: Scrinium.

In depth

The final panel closes the journey of THEOPHANIA by turning our gaze back to Francis. Where in the first work the face was crossed by searching and questioning, here it appears more relaxed, aware, inwardly at peace.

This is not the representation of a definitive goal, but the sign of a transformation matured along the way.

In the background appears a fragment of jute belonging to the research of Alberto Burri. The poor, essential, wounded material recalls art’s capacity to transform what seems fragile into a place of meaning. The simplicity of the fabric converses naturally with the Franciscan experience of poverty, understood not as deprivation but as freedom.

Closing the entire cycle there appears a reference to the most celebrated iconography of Francis: the encounter with the wolf of Gubbio. Giorgio Lupattelli, however, replaces the wolf with the silhouette of his own dog, Mac.

This choice introduces a deeply personal dimension. The artist does not repeat an image from tradition; he enters into relation with it, leaving in the work a discreet sign of his own story. Mac becomes a kind of signature, an affectionate seal that closes the journey without interrupting its universal meaning.

The gesture thus takes on a wider symbolic value. The wolf represented otherness, that which inspired fear and called for reconciliation. The dog, by contrast, recalls everyday relationship, faithfulness and friendship. It does not replace the Franciscan story, but translates it into an intimate and contemporary language.

The title Assenza di dramma does not suggest a life free of difficulty. It expresses, rather, a condition in which conflict no longer dominates one’s gaze. Having passed through the cosmos, time, the body, matter, knowledge and symbol, Francis returns to the human face. Everything that has been encountered now finds a form of inner unity.

THEOPHANIA thus ends where it began: before a person. The circle closes without closing the path. The last image offers no definitive conclusion; it invites visitors to continue for themselves the search the work has begun.

OP-024 · Ink on paper · cm 29,7 x 42

The preparatory study

The sheet from which the panel is born: the same composition still in the state of line, with the artist’s handwritten notes naming the symbols before they become image.

Hand annotated preparatory study for Assenza di dramma

Giorgio Lupattelli

Study for Assenza di dramma

2026, Ink on paper, cm 29,7 x 42

Room
Sale di Messalina, Room 1
Sequence in the exhibition
16 of 28
Inventory
OP-024
Credits
Giorgio Lupattelli / Scrinium
Rights
Rights of use, exhibition and reproduction: Scrinium.