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THEOPHANIA The recomposition of the real

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Panel and study · 25 of 28

Purificazione del cuore

Purificazione del cuore, mixed media: charcoal, pencil, ink, watercolour on laid paper with untrimmed edges, by Giorgio Lupattelli
Giorgio Lupattelli, Purificazione del cuore. Mixed media: charcoal, pencil, ink, watercolour on laid paper with untrimmed edges, cm. 50 x 70 (approx.), 2026.
Credits: Giorgio Lupattelli / Scrinium.

Francis holds a luminous heart in his hands, reinterpreting one of the oldest iconographies of sainthood. Around him brain waves, vascular networks and echoes of the work of Alberto Burri intertwine. The work invites reflection on the unity of the person, in which emotion, reason and spirituality share a single path of transformation.

Giorgio Lupattelli

Purificazione del cuore

2026, Mixed media: charcoal, pencil, ink, watercolour on laid paper with untrimmed edges, cm. 50 x 70 (approx.)

Room
Sala degli Artisti
Sequence in the exhibition
25 of 28
Inventory
OP-009
Credits
Giorgio Lupattelli / Scrinium
Rights
Rights of use, exhibition and reproduction: Scrinium.

In depth

In the Christian iconographic tradition the heart represents the centre of the person, the place in which conscience, love and the relationship with God take form. In this panel Giorgio Lupattelli takes up that image, reinterpreting it through the language of contemporary art.

Francis holds in his hands a heart that gives off light. Around this figure a dialogue unfolds between symbol and scientific research. The brain waves and the system of veins and arteries build a landscape in which heart and brain do not appear as opposing realities, but as deeply interconnected elements.

The work draws inspiration from studies that have highlighted the complexity of the relations between cardiac activity and cerebral activity. Without turning such research into symbolic assertions, THEOPHANIA takes it as an occasion to reflect on the unity of the person, in which the affective and the rational dimensions are in continuous dialogue.

In the background there emerges a Combustione by Alberto Burri. The fire that passes through the material seems to radiate from the heart itself, turning it into a source of energy and of life. Combustion represents not only the heat of emotion, but the process through which every human experience can be purified and transformed.

In the Franciscan tradition, the purification of the heart does not coincide with the denial of the emotions or of bodily life. It is rather a path of integration, in which the whole person is progressively oriented towards a greater authenticity.

THEOPHANIA thus proposes a reading in which symbol, art and science do not seek to prove one another, but converse around a single question: how can a human being reach a harmony between what he feels, what he understands and what he chooses?

Francis becomes the image of this recovered unity. The heart he holds in his hands does not belong to religious tradition alone: it becomes the symbol of a consciousness able to integrate reason, emotion and openness to the transcendent.

OP-021 · Ink on paper · cm 29,7 x 42

The preparatory study

The sheet from which the panel is born: the same composition still in the state of line, with the artist’s handwritten notes naming the symbols before they become image.

Hand annotated preparatory study for Purificazione del cuore

Giorgio Lupattelli

Study for Purificazione del cuore

2026, Ink on paper, cm 29,7 x 42

Room
Sale di Messalina, Room 1
Sequence in the exhibition
13 of 28
Inventory
OP-021
Credits
Giorgio Lupattelli / Scrinium
Rights
Rights of use, exhibition and reproduction: Scrinium.